The alphabet and numbers in Aver. |
Friday, March 27, 2015
dafont.com is dabomb.com
A couple weeks ago, Lisa and I chose the font Aver to represent our film.
Wednesday, March 25, 2015
Music can be Quite the Perplexing Condundrum
So now we have our film and after much deliberation (we've been throwing songs at each other since the second day we started working on the project, much to both of our frustration), we have picked our song: Medicine by Daughter. We like the the beat, the lyrics, the mood it sets, everything.
Then we had to obtain the rights to use it. After researching the record company that runs Daughter's music rights, Glassnote Records, we found the proper person to contact about gaining said rights and subsequently emailed a Mr. Marc Nicolas.
While we received a response from our teacher the next day, our location hindered us from being able to complete the document until we got back on Sunday. So now we've done as much as we can and we're waiting for a response from Glassnote Records.
Then we had to obtain the rights to use it. After researching the record company that runs Daughter's music rights, Glassnote Records, we found the proper person to contact about gaining said rights and subsequently emailed a Mr. Marc Nicolas.
Lisa's original email to Marc Nicolas, sent on March 16. |
Well, we contacted who we thought -- based off of the company's FAQ page -- was the right person. Our email somehow landed into Mr. Chad Brown's inbox, and the next day, he responded to our inquiry.
The response Lisa received from Chad Brown on March 17. |
Fun fact: we got this email at 8:43 p.m. the night before we had to wake up at 4 a.m. to catch a flight to New York for a journalism convention, where we wouldn't exactly have a lot of time or computer access to work on this. Therefore, when we weren't sure how to answer some questions for the document and needed to contact our teacher for assistance, we were in a bit of a bind.
While we received a response from our teacher the next day, our location hindered us from being able to complete the document until we got back on Sunday. So now we've done as much as we can and we're waiting for a response from Glassnote Records.
Monday, March 16, 2015
Undecided and Indecisive
So, we filmed. We recorded. We got varying shots and angles. We've only done the suicide scene.
Yet our time is up. Based off of my quick editing, that bit alone is one minute and forty-four seconds.
Yet our time is up. Based off of my quick editing, that bit alone is one minute and forty-four seconds.
So now I'm conflicted. Do we shorten this to include this rest of the script? Do we just keep this as our opening? If we cut it down, what do we eliminate?
How do director's do this? I've always watched deleted scenes from movies I loved and lamented the loss of wonderful scenes, criticizing the people who decided it would be a good idea to leave them out. Now, I get it. Not every decision; I can't be swayed that easily. But some of those decisions, I now understand 100 percent.
Sunday, March 15, 2015
Saturday, March 14, 2015
Unnamed: The Complete Script for the Two-Minute Opening to a Film We Haven't Named Yet
Low angle shot of a girl’s bedroom with the door closed. We see a Alma open the door (alcohol in hand), walk in, and close the door as she tosses her backpack to the side, taking swigs from the bottle. MUSIC starts playing. She kicks off her shoes and walks into the bathroom, turning on the tub. She then goes to the medicine cabinet and pulls out several pill bottles, downing an indeterminable amount from each, using the alcohol to help them go down. By this time, the tub is full and she steps into it, fully dressed. She closes her eyes, sinks til she’s almost under the water, and the screen fades to black. Over the black screen, we hear a casual news report about a lost dog being found.
REPORTER
The Grayson family is very grateful they were able to find Spot after a large group from the community got together to search for him on Friday. They will be offering free ice cream at their parlor, Berries and Cream, tomorrow, Sunday March 12, to everyone who helped out.
Cut to ELEANORA making eggs in the kitchen.
REPORTER
In other news, 17-year-old Alma Rodriguez committed suicide last night.
ELEANORA whips around, dropping the egg-y whisk on the ground. Report takes over the screen.
REPORTER
The Harrison High school junior was reportedly being bullied at school for being gay and died from drowning herself in her bathtub.
ELEANORA walks forward, grabbing the remote.
REPORTER
A memorial service for close family and friends will be held on Tuesday at 4 in the Rodriguez's home. The school has refused to comment, and our hearts and thoughts go out to the family during this troubling time.
ELEANORA shuts the TV off, then clutches the remote to her chest. Fade to black.
Open to ELEANORA at the door to RODRIGUEZ house. She knocks. SISTER opens door.
ELEANORA
Hi, my name’s Eleanora. I, um, I went to school with --
RAINA
This is for friends and family only. We don’t want anyone from school here.
RAINA starts to close door.
ELEANORA
Wait, please,
RAINA stops.
ELEANORA
I know, I understand. I just wanted to say that I thought Alma was really brave. She put up with a lot of shit just for being gay, and I always admired her. I’m bi, and I never really told anyone and she just… I dunno. It’s my last year, and I want to make sure that what happened to your sister never happens to anyone again. Or, y’know, at least try.
RAINA
Listen, I really appreciate that, but now isn’t the time. I just can’t right now.
ELEANORA
I understand. I’ll go. I just wanted you to know.
RAINA closes door. ELEANORA walks back to her car, closes the door, sighs, and turns the car on. Cut to TITLE SCREEN.
Naming and Casting and Thinking and Wondering
This post will essentially be the "who's who" and "what's what" for our opening two minutes.
Character list:
Eleanora Lee is our main character. After the death of Alma, she is determined to change the way not only her school but also her country views LGBT+ people and also to fight against the rampant bullying of these students. Because she is such a leading force in a just cause, we wanted the meaning of her name to reflect that. Her full name is Eleanora, which in Greek means "light" and in Latin means "woman of honor;" however, her close friends and family will call her Nora.
Character list:
Eleanora Lee is our main character. After the death of Alma, she is determined to change the way not only her school but also her country views LGBT+ people and also to fight against the rampant bullying of these students. Because she is such a leading force in a just cause, we wanted the meaning of her name to reflect that. Her full name is Eleanora, which in Greek means "light" and in Latin means "woman of honor;" however, her close friends and family will call her Nora.
Source: Think Baby Names |
Alma Rodriguez is our driving force. She is representative of all the LGBT+ kids and teens who have been driven to killing themselves because they are so horrifically bullied while adults simply stand by. Alma was true to herself and a strong individual, although the audience will not be able to know her well. She is Hispanic because Lisa and I wanted to have solid representation in our film, and with only four characters in our opening (and two of them being sisters), we decided to represent Hispanics. Alma, which is a Hispanic name, means a kind soul or learned, and we felt this fit Alma well.
Source: Think Baby Names |
Raina Rodriguez is Alma's older sister by two years. She is a college freshman and was very protective of her sister; she hated that she couldn't be home to protect Alma from her classmates. Thus, we looked for a name that meant "protector" or "guardian" but was also a believable name for her culture, and we came up with Raina.
Source: Think Baby Names |
Cast list:
- Eleanora Lee............Elanna Heda
- Alma Rodriguez............Lisa Burgoa
- Raina Rodriguez............Ines Acosta (tentative)
- Reporter............Lisa Rienhardt
Thursday, March 12, 2015
Overview? When was it Underview?
The following is an overview of our film's plot. While the film will not be created in its entirety for this project, we will need to represent it through two trailers, so we saw it fit to complete an overview.
Seventeen-year-old Alma Rodriguez kills herself from bullying because she’s LGBT+ (particularly, a lesbian). Main character (MC), Eleanora Lee, finds out and is angered because she’s also LGBT+ (bisexual). While mourning, she decides Alma should not have died in vain and launches a campaign, similar to The Trevor Project, It Gets Better, or Silence Hurts. She’s met with obstacles such as being bullied herself, struggling with her school’s administration, her parents not being supportive, etc., but Nora (Eleanora’s nickname) perseveres. She contacts outside companies that fight violence against LGBT+ students/people and manages some small successes with her campaign. The film will never see a complete resolution because nobody can solve this problem so easily, but Nora will make progress.P.S. For those not obsessively aware of Friends, the title of this post is a reference to one of Ross Geller's lines.
Tuesday, March 10, 2015
Progress
I feel like Lisa and I are on the right track and moving at a great pace. I know, big disparity from my last post, but we've accomplished a lot in the past couple of days. Let's enumerate in order of size of accomplishment because, as I've shown, I'm a big fan of lists:
- Finished first draft of our script
- Made plans to begin filming on Friday (!!!)
- Tentatively cast actors
- Began planning settings
- Narrowed down list of possible songs for suicide scene
- Finished first draft of our script (I know. It's repeated. I'm that proud.)
- Thought about costumes
The more progress we make, the more excited I am to see the final result, which in turn pushes me to want to work faster. Progress is happening, people, and I couldn't be happier.
Thursday, March 5, 2015
The Beginning of the End with a Bang not a Whimper
When I showed my mom my blog, her first reaction was "Well, that's kind of cool. You're beginning the end." Confused? Me, too. I asked her what she meant and she responded with "This is the beginning of your final project. You're beginning the work for the end of the class." Well, huh. "Does that make you happy or sad?"
Well, mom, it's a little of both. I'm happy to be that much closer to the end of my senior year, but I've also really enjoyed this class. I've done pretty well, and I've grown as a creator and a consumer.
But for all that I've learned, that just makes this project more difficult. I want all the hard work I have put into this course to culminate into one magnificent production so I can say I went out with a bang instead of a whimper. And to do that, this will take a lot of work.
Lisa and I have a solid plot: The story of MC and her attempts to make the world a better place for LGBT+ people like herself by fighting bullying and ignorance. It's an inspirational drama. Pretty bangin', right?
But that's not all we need. We need killer shots/angles (not my strongest point), impactful sound (which I'd say is my weakest point), solid editing (I'll give this one to myself), and, to make it all work, a full understanding of our purpose and audience. Except we don't even know who our audience is yet. Which is kind of freaking me out.
So I guess I know what we need to do next:
Well, mom, it's a little of both. I'm happy to be that much closer to the end of my senior year, but I've also really enjoyed this class. I've done pretty well, and I've grown as a creator and a consumer.
But for all that I've learned, that just makes this project more difficult. I want all the hard work I have put into this course to culminate into one magnificent production so I can say I went out with a bang instead of a whimper. And to do that, this will take a lot of work.
Lisa and I have a solid plot: The story of MC and her attempts to make the world a better place for LGBT+ people like herself by fighting bullying and ignorance. It's an inspirational drama. Pretty bangin', right?
But that's not all we need. We need killer shots/angles (not my strongest point), impactful sound (which I'd say is my weakest point), solid editing (I'll give this one to myself), and, to make it all work, a full understanding of our purpose and audience. Except we don't even know who our audience is yet. Which is kind of freaking me out.
So I guess I know what we need to do next:
- Pick a target audience
- Research that audience
- Research dramas geared toward that audience
- Begin writing script
- Probably argue... uh, I mean, have some creative differences
- Begin filming
- Insert some more creative differences but throw in a lot of self-doubt
- Edit
- Agonize
- Re-edit
- Agonize more
- Turn in the final product
- Start all over again with the A-level project
Now that I've sent myself into a bit of a spiral, I also need to remember that the end is near, but we're still at the beginning. There are a lot of things we shouldn't be sure of yet. We just started this week. And y'know what? We'll figure it out tomorrow. Nobody will hear whimpering from me.
Finding Inspiration
As all creators know, the creative process is like both a search party and waiting to fall asleep: sometimes creators need to be active, going out and looking around other media in order to find it, and sometimes creators need to just lie down and wait for inspiration to find them. My partner, Lisa, and I have been hoping for a little bit of both.
With faith, trust, and pixie dust, we have been given inspiration and were able to determine pretty much the entire outline for the film. However, we hadn't been so lucky with our style of filming, the mood for the opening scenes, or how to present the information. Since the impetus for our main character's actions is another character's death, we know we will need to be sensitive, but do we want a "rip off the band-aid" kind of scene or a "slow and ambiguous" kind of scene?
So, like many people our age, we turned to the Internet.
The first example is a short film called My Name is Lisa. It has a "home video" feel, despite it's fictitious narrative, which Lisa and I both enjoy for at least part of our film. Except we don't want to use this style for the first part when the character kills herself because it doesn't fit the mood.
The second media we have looked at is the first four minutes of the movie Harold and Maude. We like the understated feel of this scene, and I kind of like that you never see the person's face, but I'm not sure that's the best option.
But, hey, we're making progress.
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